Taking at its heart an exploration of the desire to collect, for this show Skaer will select from the collections of the University of Edinburgh, and has invited fellow artists – Fiona Connor, Will Holder, Hanneline Visnes and Nashashibi/Skaer – to inhabit the galleries of Talbot Rice alongside her.
The largest exhibition of paintings by Canaletto to ever come to Scotland, this exhibition displays over 100 paintings, drawings and prints, presenting the work of Venice’s most famous view-painter alongside that of his contemporaries for a complete and well-rounded experience.
An experimental moving image installation inspired by J G Ballard’s novel Kingdom Come. Using the language of video advertising, the work explores the construction of identity and political opinion within late capitalism and post-Brexit Britain.
Highlighting the work of contemporary artists within the field of glass, this exhibition shows how their work pushes the boundaries of techniques and challenges the perception of glass as merely a material for creating functional objects, presenting it as an artistic medium in its own right instead.
Three Women is part of the Transfigurations series by internationally acclaimed video artist Bill Viola and his wife and close collaborator, Kira Perov. In this work, a mother and her daughters enact a transfiguration when they choose to pass through the threshold of water and briefly enter an illuminated realm.
DEAD IMAGES reveals the contentious legacy of collections of human skulls held in public institutions in Europe, exhibiting a photograph of over 8,000 skulls held in the Vienna Natural History Museum.
This full-scale retrospective charts the entire career of one of Germany’s most accomplished modern artists from 1901 up until 1950, with many of the works rarely seen outside of Germany.
A group show of both rare, historical works and contemporary artists, Jacob’s Ladder celebrates mankind’s relationship with space and our enduring attempts to fathom the unfathomable.
Known for her large-scale surreal sculptures, Vasconcelos displays works throughout the indoor galleries at Jupiter Artland.
Using various domestic objects, she constructs stunning, playful, and direct images that reference socio-political topics, from immigration to gender violence.
Visit Open Eye Gallery for the chance to see work by John Bellany from his most turbulent period in the 1980s.
Featuring many previously unseen paintings, the exhibition includes some of the most fervent examples of the ideas and iconography that preoccupied one of the most significant Scottish painters of the twentieth century.
Playing at Arusha Gallery, Kate McMillan has created a two-channel video work following a young girl’s journey as she rediscovers a powerful, mystical heritage that is partly beyond conscious reach.
Supported by sculptures and sound performances, the installation reinforces the role of art as an active agent in the memory process.
Ravi Agarwal, artist and environmental campaigner, explores the various pressures and challenges posed to nature in Scotland and India and his research of conservation projects through newly commissioned print works.
This major exhibition traces Saville’s 25 year career and demonstrates the monumental physicality of her practice. Alongside is work by five artists investigating themes of the body, performance, process and materiality: Sara Barker, Christine Borland, Robin Rhode, Markus Schinwald and Catherine Street.
Ollie Dook’s newly commissioned sculptural enclosure explores the notion that zoos mimic the natural habitat of animals, inspired by Jupiter Artland’s landscape and the animals that call it home.
Platform is a dedicated showcase at Edinburgh Art Festival for artists at the beginning of their careers. The 2018 edition brings together work by four female artists: Renèe Helèna Browne, Annie Crabtree, Isobel Lutz-Smith and Rae-Yen Song.
This exhibition incorporates a display of eight major paintings by Raqib Shaw, alongside two works normally found at the Scottish National Gallery that have inspired two of his most recent paintings: Joseph Noel Paton’s ‘The Quarrel of Oberon and Titania’, 1849 and Lucas Cranach’s ‘An Allegory of Melancholy’, 1528.
Bringing together key works from British collections as well as masterpieces from across the globe, this exhibition reveals how the taste for Rembrandt’s work in Britain has evolved over the past 400 years, as well as the profound impact his art had on the British imagination.
A series of new etchings and sculptures depicting satirical and dark humoured scenes by Powell. The resulting exhibition is a meditation on real and imagined topographies, cartography and modern travel, invoking the sensibility of Edinburgh, Powell’s home city.
Devised by Glasgow-based artist Ruth Ewan, who creates artworks as a direct response to particular public spaces, Sympathetick Magick will use the ancient art of street performance to bring socially engaged magic onto the streets of Edinburgh.
A presentation of Melanie Gilligan’s dystopian drama, The Common Sense, set over 15 short episodes, tracking the impact of a new immersive technology that enables individuals to tap into the sensations of others.
A celebration of the Travelling Gallery, a bus that transported art to every part of the country to improve access for people from all backgrounds. Original artworks and archive documents will demonstrate its incredible exhibition history.
‘Beyond Likeness’ celebrates Victoria Crowe, one of the UK’s most distinguished figurative artists, through a career-spanning exhibition representing some of the people who have influenced her own thinking and understanding.
This new fashion exhibition at Dovecot Gallery features over 100 Liberty garments and fabrics spanning 140 years in a display which explores how textiles bring art into everyday life.
Edinburgh Sculpture Workshop presents newly commissioned work by Birthe Jorgensen, Santiago Poggio and Scott Rogers, the culmination of a six-month exchange between Argentina and Scotland.
This exhibition is built around regular screenings of Tacita Dean’s ‘bewilderingly intricate’, ‘Event for a Stage’, from 2015.
Presented alongside other films, drawings and photogravures, the show will examine the relationship of performance to fiction, the imagination and the collective effort of artist and audience.
This exhibition brings together the work of Gunnie Moberg and Margaret Tait. Both artists shared a strong connection to Orkney’s people and landscape and the show continues Stills’ interest in showcasing important work from Scottish archives and collections.
Ross Birrell & David Harding present a new film installation, Triptych, in the historic setting of Edinburgh’s Trinity Apse. Taking as its focus a performance in Athens involving the Syrian Expat Philharmonic Orchestra, this work reflects on themes of flight and dispossession.
‘A Certain Light’ demonstrates Crowe’s exploration of variability of light in the natural world, from twilight to shadowy snowscapes and evening sun over Venice.